The Shadow Mountains, 1983. Red and Mandy lead a loving and peaceful existence; but when their pine-scented haven is savagely destroyed, Red is catapulted into a phantasmagoric journey filled with bloody vengeance and laced with fire.
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The new installment of the Sharknado franchise takes place 5 years after Sharknado 3: Oh Hell No! There have been no Sharknados in the intervening years, but now they’re appearing again in unexpected ways.
Liam Case is a garbage man whose life hasn’t quite turned out the way he expected it would. In order to impress the girl of his dreams, Liam plans an elaborate heist that will culminate with him jumping in to save the day at the last minute. When the day of the heist arrives, however, the plan takes an unexpected turn and Liam winds up in the hospital.
A mother and her 10-year old daughter are trapped in a forest. There is something in this forest. Something unlike anything they have heard before. Something that lurks in the darkness and it’s coming after them.
A fugitive couple goes on a glamorous and sometimes deadly adventure where nothing and no one – even themselves – are what they seem. Amid shifting alliances and unexpected betrayals, they race across the globe, with their survival ultimately hinging on the battle of truth vs. trust.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
How tenuous is man’s hold on civilization when survival becomes an issue? When the lights go out and stay out for several days, suburbanites Matthew and Annie learn the hard way that man is “by nature” a predatory creature. Matthew’s long-time friend, Joe, happens by on the second day and a rivalry between the two friends simmers as Annie cares for her sick baby. . Is this what is meant by “man’s inhumanity to man?”
Rookie cop, Amelia Donaghy reluctantly teams with Lincoln Rhyme – formerly the department’s top homicide detective but now paralyzed as a result of a spinal injury – to catch a grisly serial killer dubbed ‘The Bone Collector’. The murderer’s special signature is to leave tantalizing clues based on the grim remains of his crimes.